I was on way with my second book, developing my characters, setting up the story, introducing conflicts for them to overcome. Then the problems began. I started to read articles from popular authors’ sites, claiming to know the best way to set up a story and its characters.
I agree the midpoint should be placed at the middle of the book and be the pivotal spot for the plot, where characters are spun about on their axis by unexpected events or people. However, these authors lecture about specific spots where each plot point is to be introduced. They outline the exact number of pressure points and where they should be placed.
I began to dissect my book, bit by bit. I follow an outline of my own. Each chapter is created to be a full scene with a beginning, middle and end. My midpoint is the big reversal. I didn’t plan on pressure points but I have them; not at the exact percentage points as recommended by the articles but close. After the reversal, I have pressure spots planned leading to the ultimate climax.
I did all of this instinctively, from reading books my whole life. There is a rhythm to writing like there is to music. It doesn’t have to be strictly set at one speed. It can flow at your own pace. Characters don’t have to direct opposites or heroes to your main character, they could play off your protagonist to elicit humor or bring out the story.
There are rules but not hard and fast ones like in math and science. I followed the rules in my past jobs in Finance. I love formulas where you can input your data and come up with the one correct answer. Writing is more creative. There is more than one way to tell a story and each person has a different story to tell.
The beginning of my book has been rewritten four times before I realized that my story has been following the rules of writing but at its own rhythm. My own pace. I’ve stopped reading these preachy articles about the best way to structure a book. Scenes, character arcs, plot points and acts still float around in my head, but once I began writing all of these details took care of themselves. The plot can reach the midpoint and reversal on its way to the climax without any calculations of percentages.
If you’ve read enough books, an author knows how the story should flow. You instinctively know how to introduce characters and how they should play off the main character. I’m off to the finish! I’ve cleared the midpoint and on my way to the climax! Don’t ever doubt yourself. Let your story evolve from inside of you.
The door in Oasis, Florida opens to your heart’s desire.
Imagine a scene in your mind, open the door,
and walk through to your destiny.
You can stay for as long as you want,
just as long as the door keeper is present
to allow your return.
Or else you might be forever
trapped in your own creation.
Be careful what you wish for.
Dreams can have many interpretations.
Some pleasant and some deadly.
The door is only temporary.
It can pop up anywhere.
Vampires allow its use,
but it comes with risks.
Do you want to escape a town
full of vampires and human vampires?
Escape witches, demons, and evil shadows?
Then come and try the door.
You’ll never know the consequences unless
you walk through its doorway.
THE DEAD GAME
We see the world through our own eyes.
But what are we seeing?
Do we see reality or our own perception of reality?
Is our brain filtering out what we don’t care to see?
Am I seeing the same thing as you?
I believe we all look at the world in different ways.
We could be looking at the same thing,
but seeing something entirely different.
I’d be curious to see the world through
a set of different eyes.
Who knows what these eyes might show me.